È on line l’ultimo numero della rivista fondata da Giorgio Avezzù, Silvia Bigliazzi e Alessandro Serpieri. La parte monografica, a cura di Sidia Fiorato, indaga la complessa relazione tra performance e digital media. Nella sezione miscellanea si segnalano i consueti studi rivolti al teatro antico. Infine sono utili le approfondite recensioni di pubblicazioni recenti. 

Di seguito l’Indice del volume:

Sidia Fiorato

Introduction. Intermediality and Virtuality in Performance: A Reflection on Twenty-First Century Mediaturgy

Susan Payne

What Does Virtual Actually/Really Mean?

Avra Sidiropoulou

Permission/Seduction/Indulgence: A Theatre Director’s Account of Working With Digital Media

Simona Brunetti

Connections: A Virtual Theatre Experiment in a Medieval Village                                    

Rinde Eckert

The Virtual

Antonio Pizzo

Performing/Watching Artificial Intelligence on Stage

Miscellany

Marco Duranti

The First Greek Tragedy Printed in England: Some Textual and Typographical Notes

Roberta Zanoni

Unmotherly Love: the Medea Model in Mary Sidney’s Antonius

Grazia D’Arienzo

Samuel Beckett on Italian Stages. Intermedial Performances Inspired by his Prose and Poems

Allison Middleton

‘Homer’ Tackles Aeschylus: Theatrical Adaptation as Process in Anne Washburn’s Mr Burns and Robert Icke’s Oresteia

Special Section

Guido Avezzù

Carlo Diano, Form and Event. Principles for an Interpretation of the Greek World. Translated by Timothy C. Campbell and Lia Turtas, Introduction by Jacques Lezra, New York, Fordham University Press 2020, pp. 128

Delia Gambelli

Guido Paduano, Teatro. Personaggio e condizione umana, Roma, Carocci, 2020, pp. 209

Rossella Mazzaglia

Jacques Lecoq, The Moving Body (Le Corps Poétique). Teaching Crerative Theatre, New York, Methuen Drama, 2020 (third ed.), pp. 232

Giovanna Di Martino

The Greek Trilogy of Luis Alfaro, Edited by Rosa Andújar, London, Methuen Drama series, Bloomsbury Publishing, 2020, pp. 304