Brill’s Companion to the Reception of Senecan Tragedy. Scholarly Theatrical and Literary Receptions, a cura di Eric Dodson-Robinson, Leiden-Boston, Brill, 2016
INDICE
Eric Dodson-Robinson, Introduction
Part 1. Antiquity
Christopher Trinacty, “Imago res mortua est”: Senecan Intertextuality
Christopher Star, Seneca Tragicus and Stoicism
Peter J. Davis, Senecan Tragedy and Politics of Flavian Literature
Part 2. Renaissance and Early Modern
Gianni Guastella, Seneca Rediscovered: Recovery of Texts, Reinvention of a Genre
Tomàs Martínez Romero, The Reception of Seneca in the Crowns of Aragon and Castle in the Fourteenth and Fifteenth Centuries
Florence de Caigny, The Reception of the Tragedies of Seneca in the Sixteenth and Seventeenth Centuries in France
Joachim Harst, Germany and the Netherlands: Tragic Seneca in Scholarship and on Stage
Jessica Winston, Early “English Seneca”: From “Coterie” Translations to the Popular Stage
Patrick Gray, Shakespeare vs. Seneca: Competing Visions of Human Dignity
Part 3. Seneca in the Modern Age and Beyond
Helen Slaney, Senecan Gothic
Francesco Citti, Nineteenth- and Early Twentieth-Century Receptions of Seneca “Tragicus”
Ralf Remshardt, Seneca Our Contemporary: The Modern Theatrical Reception of Senecan Tragedy
Siobhan McElduff, Rereading Seneca: The Twenty-First Century and Beyond
Index