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North-West Passage

n.5, 2008, pp. 251, 18,00
ISSN 1862-641X

Fabio Pezzetti  Tonion, Bergman. In memoriam. Towards a Chamber Cinema. The Tension between Realism and Abstraction in Ingmar Bergman’s Cinema

Egil Törnqvist, Proxemics on Page and Stage: O’Neill’s Long Day’s Journey into Night and Bergman’s


Annelis Kuhlmann, Family Fathers Lost in Theatre Paradox. The Danish Reception of Diderot’s Theatre Paradox
Bent Holm, Enlightened Nordic Knights. Text, Body and Space in Jens Baggesen and F. L. Ae. Kunzen’s Opera Holger Dansk, 1789
Giuliano D’Amico, Between Sentimentalism and Realism: Materials on the Early Italian Reception of Bjørnstjerne Bjørnson’s A Bankruptcy
Sara Culeddu, Barabbas by Pär Lagerkvist: from the Novel to the Play
Alessandro Bassini, The Unacceptable Truth: August Strindberg and Selma Lagerlöf in Per Olov Enquist’s Tribadernas natt and Bildmakarna


Behzad Ghaderi Sohi, Masoud Ghorbaninejad, Peer Gynt and the Cult of Mithras
Franco Perrelli, “In the Highest Regard”: Ibsen and the Masters of the Antiibsenian Theatre
Giovanna Zanlonghi, The Cristal and the Flame. Robert Wilson’s Interpretation of the Lady from the Sea
Sandra Colella, Ibsen, Bergsøe and Tarantism. Some Considerations about A Doll’s House and Nora’s Tarantella


Carola  Scanavino, With the Sword of the Word: Kaj Munk Portrayed by Arense Lund
Stefano Bajma Griga, Strindberg Dwells in the Greenwich Village.  Strindberg as O’Neill’s Background

Giuliano D’Amico, Egil Törnqvist and Birgitta Steene, Strindberg on Drama and Theatre
Sandra Colella, Acta Ibseniana V, The Living Ibsen. Proceedings The 11th International Ibsen Conference, 21-27 August 2006



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