"Theatre Research International", vol. 29, n. 3, anno 2004



Vol. 29, n. 3, anno 2004, Abbonamento: per il vol. 29, sterline 97,00 (dollari 159,00 in USA, CANADA e MESSICO) per cartaceo ed elettronico (le spese includono l’eventuale spedizione aerea ma non il VAT)
ISSN 0307-8833

Data di pubblicazione su web 24/05/2004

Copertina
CONTENTS

Articles

What to do with a Corpse? Physicall Reality and the Fictional Word in the Shakespearean Theatre.

MARIKO ICHIKAWA

The Jewish Actor and the Theatre of Modernism in Germany

GALILI SHAHAR

Dances About Spain: Censorship at the Federal Theatre Project

ELIZABETH COOPER

The Entertaining Mr Orton: How Joe Orton's Play Can Outgrow the ‘Swinging Sixties'

LINDA STREIT

Edward Bond and the Celebrity of Exile

GRAHAM SAUNDERS

Performance analyses

Can We Live as One Family? Rethinking the Two Koreas' Kinship in John Hoon's Kang Tek-koo

SUK-YOUNG KIM

Book Reviews

HELEN M. BURKE, The Struggle for Egemony in the Irish Theatre, 1712-1784 (Maria Doyle)

P. J. MATHEW, Revival: The Abbey Theatre, Sinn Fein, The Gaelic League and the Co-operative Movement (Nelson O'Ceallaigh Ritschel)

KERRY POWELL, ed., The Cambridge Companion to Victorian and Edwardian Theatre (John Stokes)

MICHEL PRUNER, Les théâtres de l'absurde (John Fletcher)

CLAIRE COCHRANE, The Birmingham Rep : A City's Theatre, 1962-2002 (Dominic Shellard)

NORMA JENCKES, ed., New Reading in American Drama: Something's Happening Here (Stephen Watt)

ANDREW SOFER, The Stage Life of Props (Heather May)

MARTHIN PUCHNER, Stage Fright: Modenism, Anti-Theatricality, and Drama (Paige Reynolds)

KATRIN SIEG, Ethnic Drag: Performing Race, Nation, Sexuality in West Germany (Carol Burbank)

DAVID SAVRAN, A Queer Sort of Materialism: Re-contextualizing American Theatre (Sue-Ellen Case)

Books Received

Call for Papers
  

Carlo Lorini

Indice

  Vedi pagina principale

CONTENTS

Articles

What to do with a Corpse? Physicall Reality and the Fictional Word in the Shakespearean Theatre.
MARIKO ICHIKAWA

The Jewish Actor and the Theatre of Modernism in Germany
GALILI SHAHAR

Dances About Spain: Censorship at the Federal Theatre Project
ELIZABETH COOPER

The Entertaining Mr Orton: How Joe Orton’s Play Can Outgrow the ‘Swinging Sixties’
LINDA STREIT

Edward Bond and the Celebrity of Exile
GRAHAM SAUNDERS

Performance analyses

Can We Live as One Family? Rethinking the Two Koreas’ Kinship in John Hoon’s Kang Tek-koo
SUK-YOUNG KIM

Book Reviews

HELEN M. BURKE, The Struggle for Egemony in the Irish Theatre, 1712-1784 (Maria Doyle)

P. J. MATHEW, Revival: The Abbey Theatre, Sinn Fein, The Gaelic League and the Co-operative Movement (Nelson O’Ceallaigh Ritschel)

KERRY POWELL, ed., The Cambridge Companion to Victorian and Edwardian Theatre (John Stokes)

MICHEL PRUNER, Les théâtres de l’absurde (John Fletcher)

CLAIRE COCHRANE, The Birmingham Rep : A City’s Theatre, 1962-2002 (Dominic Shellard)

NORMA JENCKES, ed., New Reading in American Drama: Something’s Happening Here (Stephen Watt)

ANDREW SOFER, The Stage Life of Props (Heather May)

MARTHIN PUCHNER, Stage Fright: Modenism, Anti-Theatricality, and Drama (Paige Reynolds)

KATRIN SIEG, Ethnic Drag: Performing Race, Nation, Sexuality in West Germany (Carol Burbank)

DAVID SAVRAN, A Queer Sort of Materialism: Re-contextualizing American Theatre (Sue-Ellen Case)

Books Received

Call for Pape