Contents
Special Issue on Theatre and the Arab Spring
Dedication
Articles
Introduction: Rehearsing Arab Performance Realities
HAZEM AZMY and MARVIN CARLSON
Re-enacting Revolution and the New Public Sphere in
KHALID AMINE
MOHAMED SAMIR EL-KHATIB
From Tahrir to ‘Tahrir’: Some Theatrical Impulses toward the Egyptian Uprising
MARGARET LITVIN
Sufism and Shakespeare: The Poetics of Personal and Political Transformation in Sa'dallah Wannus's Tuqus al-Isharat wa-l-Tahawwulat
ROBERT MYERS and NADA SAAB
Clowns of the Revolution: The Malas Twins and Syrian Oppositional Performance
EDWARD ZITER
The Tunisian Revolution and the Dialectics of Theatre and Reality
RAFIKA ZAHROUNI
Book Reviews
Hamlet's Arab Journey: Shakespeare's Prince and
By Margaret Litvin.
Bastard or Playmate? Adapting Theatre, Mutating Media and the Contemporary Performing Arts. Edited by Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere.
The
Edited by Dennis Kennedy.
The
Edited by Raymond Knapp, Mitchell Morris and Stacy Wolf.
The Golden Age of American Musical Theatre 1943–1965.
By Corinne J. Naden.
New Directions in Renaissance Drama and Performance Studies.
Edited by Sarah Werner.
Shakespeare and the Staging of English History.
By Janette Dillon.
Performing Embodiment in Samuel Beckett's Drama.
By Anna McMullan.
Performance in the Blockades of Neoliberalism: Thinking the Political Anew.
By Maurya Wickstrom.
New Francophone African and Caribbean Theatres.
By John Conteh-Morgan, with Dominic Thomas.
Cooperation and Conflict: GDR Theatre Censorship, 1961–1989.
By Laura Bradley.
Radical Visions 1968–2008: The Impact of the Sixties on Australian Drama.
By Denise Varney.
Worldly Stage: Theatricality in Seventeenth-Century
By Sophie Volpp.
Biographical Theatre.
By Ursula Canton.
Entertaining Crisis in the Atlantic Imperium, 1770–1790.
By Daniel O'Quinn.
Books Received
Corrigendum
