"Theatre Research International"
Vol. 29, n. 3, anno 2004, Abbonamento: per il vol. 29, sterline 97,00 (dollari 159,00 in USA, CANADA e MESSICO) per cartaceo ed elettronico (le spese includono l’eventuale spedizione aerea ma non il VAT)
ISSN 0307-8833
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CONTENTS
Articles
What to do with a Corpse? Physicall Reality and the Fictional Word in the Shakespearean Theatre.
MARIKO ICHIKAWA
The Jewish Actor and the Theatre of Modernism in Germany
GALILI SHAHAR
Dances About Spain: Censorship at the Federal Theatre Project
ELIZABETH COOPER
The Entertaining Mr Orton: How Joe Orton’s Play Can Outgrow the ‘Swinging Sixties’
LINDA STREIT
Edward Bond and the Celebrity of Exile
GRAHAM SAUNDERS
Performance analyses
Can We Live as One Family? Rethinking the Two Koreas’ Kinship in John Hoon’s Kang Tek-koo
SUK-YOUNG KIM
Book Reviews
HELEN M. BURKE, The Struggle for Egemony in the Irish Theatre, 1712-1784 (Maria Doyle)
P. J. MATHEW, Revival: The Abbey Theatre, Sinn Fein, The Gaelic League and the Co-operative Movement (Nelson O’Ceallaigh Ritschel)
KERRY POWELL, ed., The Cambridge Companion to Victorian and Edwardian Theatre (John Stokes)
MICHEL PRUNER, Les théâtres de l’absurde (John Fletcher)
CLAIRE COCHRANE, The Birmingham Rep : A City’s Theatre, 1962-2002 (Dominic Shellard)
NORMA JENCKES, ed., New Reading in American Drama: Something’s Happening Here (Stephen Watt)
ANDREW SOFER, The Stage Life of Props (Heather May)
MARTHIN PUCHNER, Stage Fright: Modenism, Anti-Theatricality, and Drama (Paige Reynolds)
KATRIN SIEG, Ethnic Drag: Performing Race, Nation, Sexuality in West Germany (Carol Burbank)
DAVID SAVRAN, A Queer Sort of Materialism: Re-contextualizing American Theatre (Sue-Ellen Case)
Books Received
Call for Papers
Carlo Lorini
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