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"Theatre Research International"


Vol. 29, n. 2, anno 2004 Abbonamento: per il vol. 29, sterline97,00 (dollari 159,00 in USA, CANADA e MESSICO) per cartaceo ed elettronico (le spese includono l’eventuale spedizione aerea ma non il VAT)
ISSN 0307-8833
CONTENTS

Articles

Jacky-Kalingaloonga: Aboriginality, Audience Reception and Charles Reade’s It is Never Too Late to Mend (1865)

IAN HENDERSON

From Orientalist to Postcolonial Representations: A Critique of Indian Theatre Historiography from 1827 to the Present

RAKESH H. SOLOMON

Oskar Schlemmer’s Research Practice at the Dessau Bauhaus

MELISSA TRIMINGHAM

Recasting the National Motherhood: Transactions of Western Feminisms in Korean Theatre

JUNG-SOON SHIM

‘Alive and Present’: Theatresports and Contemporary Live Performance

MATTIJS ENGELBERTS
 

Performances Analysis

Shakespeare in a Fountain: The First Italian Production of The Tempest Directed by Giorgio Strehler in 1948

GIAN GIACOMO COLLI
 

Book Reviews

MEILING CHENG, In Other Los Angeleses: Multicentric Performance Art (Henry Bial)

ALEKS SIERZ, In-Yer-Face Theatre: British Drama Today (Carina Bartleet)

FRANC CHAMBERLAIN, Michael Chekhov

BELLA MERLIN, Konstantin Stanislavsky

SIMON MURRAY, Jacques Lecoq

JONATHAN PITCHES, Vsevolod Meyerhold (John F. Deeney)

JANE DE GAY and LIZBETH GOODMAN, eds., Languages of Theatre Shaped by Women (Rebecca D’Monté)

W. T. LHAMON, Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture (Annemarie Bean)

EDWARD ZITER, The Orient on the Stage (Brian Singleton)

E. ANTHONY SWIFT, Popular Theater and Society in Tsarist Russia

LOUISE MCREYNOLDS and JOAN NEUBERGER, eds., Imitations of Life. Two centuries of Melodramma in Russia (Andrew Wachtel)
Carlo Lorini


Copertina

cast indice del volume


 

Theatre Research International

 
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