"Theatre Research International"
Vol. 29, n. 2, anno 2004 Abbonamento: per il vol. 29, sterline97,00 (dollari 159,00 in USA, CANADA e MESSICO) per cartaceo ed elettronico (le spese includono l’eventuale spedizione aerea ma non il VAT)
ISSN 0307-8833
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CONTENTS
Articles
Jacky-Kalingaloonga: Aboriginality, Audience Reception and Charles Reades It is Never Too Late to Mend (1865)
IAN HENDERSON
From Orientalist to Postcolonial Representations: A Critique of Indian Theatre Historiography from 1827 to the Present
RAKESH H. SOLOMON
Oskar Schlemmers Research Practice at the Dessau Bauhaus
MELISSA TRIMINGHAM
Recasting the National Motherhood: Transactions of Western Feminisms in Korean Theatre
JUNG-SOON SHIM
‘Alive and Present: Theatresports and Contemporary Live Performance
MATTIJS ENGELBERTS
Performances Analysis
Shakespeare in a Fountain: The First Italian Production of The Tempest Directed by Giorgio Strehler in 1948
GIAN GIACOMO COLLI
Book Reviews
MEILING CHENG, In Other Los Angeleses: Multicentric Performance Art (Henry Bial)
ALEKS SIERZ, In-Yer-Face Theatre: British Drama Today (Carina Bartleet)
FRANC CHAMBERLAIN, Michael Chekhov
BELLA MERLIN, Konstantin Stanislavsky
SIMON MURRAY, Jacques Lecoq
JONATHAN PITCHES, Vsevolod Meyerhold (John F. Deeney)
JANE DE GAY and LIZBETH GOODMAN, eds., Languages of Theatre Shaped by Women (Rebecca DMonté)
W. T. LHAMON, Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture (Annemarie Bean)
EDWARD ZITER, The Orient on the Stage (Brian Singleton)
E. ANTHONY SWIFT, Popular Theater and Society in Tsarist Russia
LOUISE MCREYNOLDS and JOAN NEUBERGER, eds., Imitations of Life. Two centuries of Melodramma in Russia (Andrew Wachtel)
Carlo Lorini
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